Balanchine is tremendously quotable – if only because so
many of his bon mots are adapted from others. When he declared himself to be
“not a man but a cloud in trousers,” for example, he lifted the line directly
from one of Mayakovsky’s greatest poems. Usually, however, the matchless
choreographer offered not a straight quotation but an unacknowledged
paraphrase. Here is a handful of Mr. B’s observations.
"God made men to sing the praises of women." "When you have a garden full of pretty flowers, you
don't demand of them, ‘What do you mean?
What is your significance?’ Dancers are just flowers, and flowers grow
without any literal meaning, they are just beautiful. We're like flowers. A flower doesn't tell you a story. It's in itself a beautiful thing."
"The ballet is a purely female thing; it is a woman, a
garden of beautiful flowers, and man is the gardener. "
"Dance is music made visible." (Also, “See the
music, hear the dance.”)
“There are no mothers-in-law in ballet” (also known as
Balanchine’s Law).
“We all live in the same time forever. There is no future
and there is no past.”
"Someone once said that dancers work just as hard as
policemen, always alert, always tense. But I don't agree with that because
policemen don't have to look beautiful at the same time."
"In fact I disagree with everybody and I don't want to
argue about it."
And when he received the Handel medallion, he said, "I
can't Handel it. . .so I'll Haydn it."
See Arlene Croce's "Balanchine Said" in The New Yorker (January 26, 2009): “In later years, [Balanchine]
waged a personal campaign against the twentieth-century fetish of originality.
. . . He saw no harm in appropriating; and he stole and was stolen from – that
was the way of art.”
Above: George Balanchine and Suzanne Farrell rehearsing Don Quixote in 1968.
