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September 07, 2009


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» Bob Dylans Waltzing with Sin from
One of the songs from the Basement Tapes era that isnt on the officially-released The Basement Tapes album is Waltzing with Sin. Although it sounds uncannily like something he could have written during that time, it is not a Bob original. Quick ... [Read More]


But, in fact the women and barefoot servants do also come into Isaiah: the women (and princes) in chapters 3 and 4, and the barefoot servants - or servant - in Chapter 20, verses 2 and 3. And the wine is in there, too (Ch 5) and the ploughman - or people with mattocks - (Ch. 7.25) . . . While you are probably right that Prufrock informs the come and go of that line, a closer reading of Isaiah suggests other ways of listening to this song, though to be honest, I don't think anyome can really second guess what the song wanted Dylan to say . . . hey, I mean, maybe the princes, who are children, are meant to be the flower children of 1967,who shall rule over the captain of fifty etc . . . oh yea!

Very interesting commentary/explication.

As the previous commenter mentioned no one can really know what Dylan had in mind, was in hs head as far as meaning goes- In fact Bob himself may not have had a clear intention.
Prophets don't necessarily know they are prophets or what they are saying is prophetic- it is only after their words come to pass that we, the observers and participants realize the prophetic vision.

And also like all good literature-poetry-scripture that is alive and breathing a piece will have different meanings to different people- and the meaning will change to each person depending on their current circumstances. New meanings emerge and develop in our consciousness far from what the author was developing in his- that is, in my opinion, the genius of great poetry and the genius of Dylan and why his music- 45 years later is being discussed and dissected and listened to- because the listeners keep finding new layers of meaning for themselves personally and insights socially despite the limited vision of the author when penning the lines.

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I left it
on when I
left the house
for the pleasure
of coming back
ten hours later
to the greatness
of Teddy Wilson
"After You've Gone"
on the piano
in the corner
of the bedroom
as I enter
in the dark

from New and Selected Poems by David Lehman

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This Way Out

by T.P.Winch

Ringfinger was nervous
Pinky terrified
when they learned
that Hand might succumb
to the rule of Thumb.



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