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« II. The 30 Films of Akira Kurosawa: Kumonosu jo (Throne of Blood) [1957] (by Lewis Saul) | Main | Post on a Post [by Jennifer Michael Hecht] »

January 13, 2010


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>>Webern and other twelve-tone extremists

I resemble that remark!

Although not a poem (in the traditional sense), I think the ending of FINNEGANS WAKE is superb:

"A way a lone a last a loved a long the"

Didn't Pound end some of his cantos like that, leaving you hanging, or am I thinking of something else?

Oh, no, Lewis, are you a twelve-toner? No offense intended. I also love the ending of Finnegans Wake. Yet despite the fact that it leaves you hanging, it still repeats; the music of the familiar poetic ending is there.

I'll be attempting to turn you on to Webern in a future post!!!

great post. i did a seminar on the whole notion of poetic closure. i like the idea of comparing it to music. i focused on the comparison to film and how the western ideal is often to have a very circular, definitive closure while the eastern though lends more to things being open ended - the ellipses perhaps :)

Jessie, thanks. Your seminar sounds great; which films/directors did you talk about?

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I left it
on when I
left the house
for the pleasure
of coming back
ten hours later
to the greatness
of Teddy Wilson
"After You've Gone"
on the piano
in the corner
of the bedroom
as I enter
in the dark

from New and Selected Poems by David Lehman

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This Way Out

by T.P.Winch

Ringfinger was nervous
Pinky terrified
when they learned
that Hand might succumb
to the rule of Thumb.



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