Daffodils
— for David Lehman
Ten thousand saw I at a glance
Tossing their heads in sprightly dance.
— William Wordsworth
Going to hell so many times tears it
Which explains poetry.
— Jack Spicer
The day the war against Iraq begins
I’m photographing the yellow daffodils
With their outstretched arms and ruffled cups
Blowing in the wind of Jesus Green
Edging the lush grassy moving river
Along with the swans and ducks
Under a soft March Cambridge sky
Embellishing the earth like a hand
Starting to illustrate a children’s book
Where people in light clothes come out
To play, to frisk and run about
With their lovers, friends, animals, and children
As down every stony back road of history
They’ve always done in the peaceful springs
— Which in a sense is also hell because
The daffodils do look as if they dance
And make some of us in the park want to dance
And breathe deeply and I know that
Being able to eat and incorporate beauty like this
I am privileged and by that token can
Taste pain, roll it on my tongue, it’s good
The cruel wars are good the stupidity is good,
The primates hiding in their caves are very good,
They do their best, which explains poetry.
What explains poetry is that life is hard
But better than the alternatives,
The no and the nothing. Look at this light
And color, a splash of brilliant yellow
Punctuating an emerald text, white swans
And mottled brown ducks floating quietly along
Whole and alive, like an untorn language
That lacks nothing, that excludes
Nothing. Period. Don’t you think
It is our business to defend it
Even the day our masters start a war?
To defend the day we see the daffodils?
– Alicia Ostriker
"Daffodils" from No Heaven, by Alicia Suskin Ostriker, © 2005. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.
— for David Lehman
Ten thousand saw I at a glance
Tossing their heads in sprightly dance.
— William Wordsworth
Going to hell so many times tears it
Which explains poetry.
— Jack Spicer
The day the war against Iraq begins
I’m photographing the yellow daffodils
With their outstretched arms and ruffled cups
Blowing in the wind of Jesus Green
Edging the lush grassy moving river
Along with the swans and ducks
Under a soft March Cambridge sky
Embellishing the earth like a hand
Starting to illustrate a children’s book
Where people in light clothes come out
To play, to frisk and run about
With their lovers, friends, animals, and children
As down every stony back road of history
They’ve always done in the peaceful springs
— Which in a sense is also hell because
The daffodils do look as if they dance
And make some of us in the park want to dance
And breathe deeply and I know that
Being able to eat and incorporate beauty like this
I am privileged and by that token can
Taste pain, roll it on my tongue, it’s good
The cruel wars are good the stupidity is good,
The primates hiding in their caves are very good,
They do their best, which explains poetry.
What explains poetry is that life is hard
But better than the alternatives,
The no and the nothing. Look at this light
And color, a splash of brilliant yellow
Punctuating an emerald text, white swans
And mottled brown ducks floating quietly along
Whole and alive, like an untorn language
That lacks nothing, that excludes
Nothing. Period. Don’t you think
It is our business to defend it
Even the day our masters start a war?
To defend the day we see the daffodils?
– Alicia Ostriker
"Daffodils" from No Heaven, by Alicia Suskin Ostriker, © 2005. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.
