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August 02, 2013


Christina Hendricks, ah, "Joan Harris, nee Holloway" -- how can we resist her as the ultimate object of masculine fantasy, circa 1965? The semiotics? Well, I think the image is as it appears to be, and therefore can't be called "fake": woman as the American male of the era had been conditioned to imagine and desire her: the product as its own advertisement, some "thing" a "playboy" might hope to "acquire." Of course, Norma Jean Baker would have plenty to say about a creation of her own, and that sensibility can inform the MADMEN aficionado who both enjoys and deconstructs the tantalizing "Joan."

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I left it
on when I
left the house
for the pleasure
of coming back
ten hours later
to the greatness
of Teddy Wilson
"After You've Gone"
on the piano
in the corner
of the bedroom
as I enter
in the dark

from New and Selected Poems by David Lehman

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This Way Out

by T.P.Winch

Ringfinger was nervous
Pinky terrified
when they learned
that Hand might succumb
to the rule of Thumb.



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