You might not think of this 1981 dab of pop schmaltz served up by the Philly duo Hall & Oates when you think about the National Security Agency but the song makes a point. Other than its obvious message about stepping out on a lover and the mayhem that ensues, in the context of our Chicago 100,000 Poets for Change event tonight it’s being used to spread a message that as our local, state, and federal governments become less and less transparent in their activities they are spending huge sums of money in their efforts to watch us. (Recent headlines also show that government employees have also been using their increased reach not only to spy on potential threats to national security but also ex-girlfriends and wives.)
worth mentioning that increased surveillance to some degree does make our world
a bit safer, but the larger question is what are we sacrificing for this safety
and where is the line when collectively Americans need to say enough. From the
elevated train you rode to work, to the convenience store where you bought a
bagel, to efforts championed by some health insurance companies that would
require potential customers to provide DNA mapping, technology and our efforts
to make urban environments more livable are colliding in sometimes strange
Poets, artists, and musicians worldwide tonight are getting together to talk about the issues that affect their communities for the third installment of the global 100, 000 Poets for Change. Join us! Details follow. (I’ve also included a journal entry about participating in my very first 100, 000 Poets for Change event three years ago.)
TONIGHT: Private Eyes (They’re Watching You): A special event in conjunction with 100 Thousand Poets for Change,
7pm at Outer Space Studio
1474 N. Milwaukee Avenue, Chicago
near the CTA Damen blue line
suggested donation $4
About: On September 28, 2013, thousands of poets around the world will make their voices heard. To declare the change they'd like to see most in the U.S. and throughout the international community, events are being staged worldwide as part of 100 Thousand Poets for Change. This night of poetry and activism in Chicago asks the questions: What is freedom of expression? Is surveillance dangerous? Who chooses the information our government can access and censor? When has it gone too far?
FEATURING: Darren Angle, Barbara Barg, Joel Craig, Nina Corwin, Adrienne Dodt, Rey Escobar, Cean Gamalinda, Laura Goldstein, Jeanette Gomes, Kevin, Gunnerson, Nathan Hoks, Felicia Holman, J'Sun Howard, Noël Jones, Jennifer Karmin, Emily Lansana, Daniela Olszewska, Matthias Regan, Timothy David Rey, Larry Sawyer, Jennifer Steele, Keli Stewart, Russ Woods, and Lina Ramona Vitkauskas
**all proceeds to be donated to Kiva**
Logistics -- near CTA Damen blue line, third floor walk up, not wheelchair accessible
Co-sponsored by the Chicago Calling Arts Festival & curated by the 100 Thousand Poets for Change, Chicago Community Council 2013: Barbara Barg, Laura Goldstein, Jennifer Karmin, Timothy Rey, Larry Sawyer, Keli Stewart, and Lina Ramona Vitkauskas
Red Rover Series is curated by Laura Goldstein and Jennifer Karmin. Each event is designed as a reading experiment with participation by local, national, and international writers, artists, and performers. Founded in 2005 by Amina Cain and Jennifer Karmin, the over sixty events have featured a diversity of renowned creative minds. Email ideas for reading experiments to us at firstname.lastname@example.org.
About My First 100,000 Poets for Change: Bad Date America
I’m trying to remember when I first heard of 100,000 Poets for Change. I know as a poet I picked up on it much more quickly than the general populace probably. Anything with “poets” in the title would end up on my radar eventually. I do remember being on the phone with Michael Rothenberg at some point talking with him about something else and saying “so, what’s this 100,000 Poets for Change? I mean, 100,000? What do you mean by change? Whose change? What does that look like?” I remember Michael answering my questions fairly patiently, if not giving me the impression that I was being too skeptical. Almost the tone of his voice, from what I remember, being kind of like, don’t you get it?
I did get it and he knew I did, but I was asking questions because I was intrigued.
I do think that since being written up by the major news media (Huffington Post, methinks), poets and the public at large are taking it much more seriously as a vehicle for dialogue and a motivator for communities to band together and solve problems with art. Essentially that’s what it is. But its nebulous qualities are what makes it unique. It’s really all-inclusive, nearly to a fault. Bob Holman pointed out that the strength of it lies in the fact that anyone can take the idea and pour it into the mold of what works in their own community. I agreed.
For Chicago, my plan was to provide some sugar, maybe some hilarity, so the bitter pill of what was happening in America would go down a little easier. Everything in the news reminded me of being on a bad date. It was BAD DATE AMERICA. The idea of being stuck in a clock-watching scenario and grimacing through every moment of it. The worst bad dates also involve a CHAIN OF EVENTS that progressively worsens. “Well, at least THAT hasn’t happened, yet.”
Also, giving the event a conceptual theme might make the audience feel a bit better about an event involving 15 to 20 poets. It seemed to work.
After coming up with a viable concept, of course I had to act as MC and participate by reading my own poetry and recounting an actual bad date experience. I dressed up like a waiter, wore a white shirt and black tie, threw a towel over my arm, and seated each reader at the front of the room at the candlelight table we’d propped up just for the occasion. The audience tittered and gasped and I think came away with more of an understanding of how art can bridge gaps between communities and also grease the wheels of change. I enjoyed myself.
After all, has there been a time when more is at stake? In addition to the complacency on the part of many regarding the evidence that the earth is in danger of the kind of climate change that could at the least ruin lives and at the most result in a world war over resources, disruption in trade and eco-disaster, IN ADDITION TO THAT the United States was still involved in two foreign wars and the global economy was in the midst of a recession that had curbed everyone’s enthusiasm for anything. I was astounded to see that so many local poets and publishers agreed to participate, including: Kaveh Adel, Barbara Barg, Jen Besemer, Dan Godston, Laura Goldstein, Ezzat Goushegir, Kurt Heintz, Marcy Henry, Philip Jenks, Jennifer Karmin, Francesco Levato, Toni Asante Lightfoot, Monica Long, Anthony Madrid, Mario, Ario Mashayekhi, Charlie Newman, Ladan Osman, Timothy David Ray, Roger Reeves, Kenyatta Rogers, Jacob Saenz, Don Share, Keli Stewart, Tony Trigilio, and Lina ramona Vitkauskas. These poets have my heartfelt thanks and respect for being the first to light the fire.