The situation of poetry is impossible to describe but easy to summarize. No one fully understands what is happening because poetry and its audience are changing too quickly in too many places. There is considerable continuity with the past. The traditional ways in which poetry has been written, read, and evaluated still have relevance, but those methods don’t always seem very useful in understanding new developments. Old theories (including postmodern ones) are incommensurate with the present realities. There is no emerging mainstream replacing a dying old order. There is no mainstream at all — only more alternatives. The best metaphor is not death but birth. The poetry scene isn’t a cemetery; it’s a crowded, noisy maternity ward.
So don’t panic. Poetry is not in danger, at least no more than usual. New forms of poetry don’t eliminate established forms, though they do influence and modify them. Culture is not binary but dialectical. A new generation of poets and readers drawn from every segment of society is expanding the art to meet new needs and seize new opportunities. Poetry now has as many categories as popular music. What plays at Harvard won’t get anyone on the dance floor in East Los Angeles, and that’s just fine. All styles are possible, all approaches open, and everyone is invited.
A fuller excerpt from Dana's introduction appears in the current Los Angeles Review of Books. The book itself will reach bookstore shelves any day now. -- DL