David Lehman’s The State of the Art: A Chronicle of American Poetry, 1988-2014 collects the introductions he’s written to introduce the individual volumes of The Best American Poetry series over the last twenty-five years. Taken together, these brief essays—for they are much more broadly conceived than the word “introduction” would indicate—trace the controversies and other points of attention within the American poetry world over the last quarter century. Often as I read, I thought, oh, I’m glad we’re through that phase—the theory wars that not only pitted scholars against each other but also unnecessarily pitted scholars against creative writers (as if many of us don’t fill both roles), the flurry of trash-talking reviews by William Logan, the perennial complaint that there’s too much bad poetry because of MFA programs or slam poetry events or the ease of online publishing (a discussion we’re, alas, not yet through having). More often, though, I found myself glad to be a poet in our time when there’s so much vibrant poetry being written by so many different writers, and when there’s such energetic conversation occurring in libraries and cafes and bars and, yes, universities, about our art.
Too often, introductions to anthologies are written as if they are formal necessities or polite niceties that no one actually reads. Continue reading . . .