Are you or have you been in an MFA Poetry program? Are you over 50? Ok, then you’ve read Marianne Moore's “Marriage” and know it is considered one of the most important works not just from Moore, but of Modernism. [Ed: Marianne Moore's "Marriage" may be found in The Oxford Book of American Poetry.]
Published in 1923, “Marriage” is a long, complicated collage of statements and quotations on marriage, gender and male/female relations that evolve into a dialogue between Adam and Eve and it still holds up today. The institution of marriage has fundamentally not evolved drastically, despite women’s rights, legalization of gay and interracial marriage. And Moore’s use of collage to create the overlapping conversation of husband and wife, Adam and Eve is perhaps more relevant today than ever.
We can envision Eve and Adam, sitting by the glow of the television, iPhones in hand, scrolling.Without looking up from his iPhone or to see if he is disturbing Eve, Adam blurts out: “Treading chasms/on the uncertain foot of the spear” and continues on “Past states, present state,” his voice rising.
Eve shifts a bit as Adam has interrupted her own social media scroll. But he doesn’t notice, busy blabbing on about nightingales, apples, before admitting he “stumbles over marriage,/a trivial object indeed.” Does Eve bother to look up at this admission from Adam? She does for a moment, wondering if someone had posted wedding photos on Instagram that she’d missed, glances over at iPhone. Seeing nothing, she returns to study her own iPhone. They continue on for a while like this, maybe a “hmmm” or a grunt of acknowledgement that the other has spoken.
Then Eve lights up, reads a snippet from her Facebook feed “for love that will gaze an eagle blind” quoting her friend Tony Trollope, and then a jibe from Shakespeare’s Twitter feed. Now Adam is paying attention. He hates that she follows Shakespeare, some girl crush he thinks.
Two can play at this. They both start going back and forth, throwing out insults gleaned from social media pals and (possibly fake) news sites. Adam cites John Cournos’ retweeting Ezra Pound—“a wife is a coffin” is met with “well, maybe she ‘leaves her peaceful husband’ that Eve snagged from a Simon A Puget’s fashion blog.
Side by side on the sofa in the dim light of the television, they continue on, heads bent over their weapons. When the television volume turns up to air an ad from Daniel Webster’s “Liberty and Union”, Adam and Eve briefly look up before returning their gaze to the little screens in their hands. Marianne Moore would not be surprised.
