The Vagabond
by Neil de la Flor
We bond over electronic music and make out. On the dance floor, his arms are dumbbells destined for the seabed. We pray for the abyss to relinquish the red lights of the world. Adora welcomes the world batting her eyelashes like a flamenco dancer bats her abanico. She is ridiculous in her beehive wig.
A boy and a girl wear leather dog collars as Lola spins the Cure, Depeche Mode, The Clash, New Order. We order two shots of tequila and photographic memories. Each shot is a declaration of love or something close to a crossbow. The arrow of time is a cosmic phenomenon divined in blue agave. The cosmos quarrels behind us in a black veil.
He reveals his history of histories beneath yellow street lights—a pair of binary stars fight for more space. Vampires move over. Rats get out. He bends dangerously in awe of his own angels.
We (don’t) share secrets.
The shadow on the left puts his left hand in the right pocket of the shadow on the right. We (or they) are nouns and verbs created in a foreign language. Each lie a point of light in the sky.
Neil de la Flor is a writer, educator, photographer, and executive director of Reading Queer, a Knight Foundation funded organization dedicated to promoting queer literary culture in South Florida. He is the author of Almost Dorothy (Marsh Hawk Press, 2010), winner of the Marsh Hawk Press Poetry Prize and An Elephant’s Memory of Blizzards (Marsh Hawk Press). He also co-authored four collaborative books of poetry, including Sinead O’Connor and her Coat of a Thousand Bluebirds (Firewheel Editions, 2011), co-authored with Maureen Seaton and winner of the Sentence Book Award; Facial Geometry (NeoPepper Press, 2006), co-authored with Maureen Seaton and Kristine Snodgrass; and Two Thieves and a Liar (Jackleg Press, 2012), also co-authored with Maureen Seaton and Kristine Snodgrass. He graduated with an MFA from the University of Miami, where he was a Michener Fellow, and can be reached at neildelaflor.com
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