Celebrate Independence: George Balanchine's Stars and Stripes [by Stacey Lehman]

Russian born choreographer George Balanchine loved America. It was here that his genius found its full expression in the New York City Ballet. Nowhere is that love more manifest than in the exuberant "Stars and Stripes" which Balanchine choreographed to music by John Philip Sousa, as arranged by Hershy Kay. The ballet premiered at New York's City Center on January 17, 1958, and was also on the program during the company's 1964 inaugural performance at Lincoln Center. 
On January 26, 1981, following the release of the American hostages from captivity in Iran, the New York City Ballet gave a surprise encore performance of the "Stars and Stripes" finale. In introducing the encore, principle dancer Jacques d'Amboise said that it was presented by the ''dancers, orchestra and stage crew to celebrate this event with you. Our American hostages are free at last.'' As reported in the New York Times, "Mr. d'Amboise wore a yellow ribbon on his arm and yellow ribbons adorned the orchestra music stands. As the American flag rose that traditionally ends the ballet, the audience began to clap rhythmically. At the ballet's close the dancers, led by Mr. d'Amboise and Lourdes Lopez, swept to the front, waving yellow ribbons and kerchiefs to a standing ovation." How I wish I could have been there!

 "Stars and Stripes" is one of my all-time favorite ballets. I can't keep myself from crying as the American flag unfurls behind the dancers giving their all. You can find many clips of the ballet on Youtube. Here's one that, while it doesn't include that beautiful flag, it does feature Jacques D'Amboise and Melissa Hayden from the original cast. The speed, precision, elegance, and joy of their dancing makes me want to stand up and salute. 

Comments

[Emily Fragos]

I admit it: I am a George Balanchine fanatic. I will even assert that he was the greatest, most creative genius of the 20th century! I cannot imagine my world without Serenade, Chaconne, Davidsbundlertanze, Mozartiana, Allegro Brilliant, Square Dance, Apollo, Agon, The Four Temps, The Stravinsky Violin Concerto, etc. In fact, I cannot hear the Stravinsky without seeing the incomparable NYC Ballet dancers. I remain in awe of the legendary Suzanne Farrell, Jacques D'Amboise, Arthur Mitchell, Allegra Kent, Patty McBride, Edward Villella, et. al. Thank you, Mr. B. and Ms. Farrell, for the most beautiful, most mysterious dancing I have ever seen in my life.

[Stacey]

I share your enthusiasm Emily.I too am in awe of those mid-to-late 20th century dancers and Balanchine ballets. Over the past year I've followed several NYCB dancers on social media (Sara Mearns, Megan Fairchild, among others) and am in awe of them as well. They bring so much talent and intelligence to their dancing. I'm eager to see them this fall (My sister and I took out a subscription and we're going to opening night!). Thank you for this comment.

[Emily Fragos]

Dear Stacey,

Have a glorious time on opening night. What a treat! Great dancing to beautiful music -- the purest poetry. "You language where all language ends." -- Rilke

Thank you for celebrating Balanchine.