________________________________________________________________________
Murmur
This became my first ghost: the drum
of a stethoscope to my infant chest, an echo
deep in a doctor’s ear, the sound she heard,
named it murmur—a swoosh in the space
between the beatings of my youngest heart
~
When I’d run around as a toddler, my mother
always anticipated me falling down and not
getting back up. Later, my father’s stethoscope
told us there was nothing there—this became
my second ghost
~
I played every sport I could growing up. I ran
until no kid in my class could outpace me.
I beat my heart up and down playgrounds and courts,
through grass stains and bloody knees. I wanted
to learn how to make my heart sing, and I wanted
to silence it too, but always my mother’s gaze
pressed heavy on me
~
Be careful she would say, and Be careful Dad would say.
I ignored them. When I did karate in high school,
squaring up against men twice my size, my mother said
Be careful and my father said Be smart and because
I didn’t care for my heart then, I was careless
~
Heartbreak came when I fell in love for the first time,
and my mother said nothing and my father said nothing,
and years passed with no echo to interrupt the ending,
as they held me, and we all listened to my third ghost
singing in the space between heartbeats
~
And now I run, miles a day, for my health; and now I am
a haunted house of scars; and now I always fear,
like too many men in my family, that I will die because
of my heart; I always fear, like too many Black men,
that a heart is not enough to keep me alive
~
We are all ghost stories, silent chests, a heavy wager
of collapse, and isn’t this what all our mothers fear?—
the fourth ghost: every echo of love misplaced somewhere
deep in our hearts, reconvening over us in our stillness,
murmuring Be careful
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Cameron Barnett is a Pittsburgh poet, teacher. He’s the author of The Drowning Boy’s Guide to Water and Murmur, from Autumn House Press. His work explores the complexity of race, place, and relationships for Black people in America.
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Adeboye Abiodun, Diary of a Black Boy, Lost Ball 1
Haunting in every way , this ghost story. And like much of the best writing, I learned an actual literal fact from the poem— I’ve always had a heart murmur but never knew what it sounded like till now.
Posted by: Clarinda Harriss | September 29, 2024 at 11:12 AM
That is beautiful and brave and devastating, all at once. Thank you, Cameron.
Posted by: Lola Haskins | September 29, 2024 at 11:34 AM
Brilliant and a bit scary!
Posted by: Bill Nevins | September 29, 2024 at 12:08 PM
"a heavy wager / of collapse" brilliant
Posted by: lally | September 29, 2024 at 12:10 PM
Such a moving poem!
Posted by: Nin Andrews | September 29, 2024 at 12:11 PM
A very moving and powerful poem…in reading it, the ghosts of Michael Brown, Eric Garner, Tamir Rice..and Emmett Till and on the list goes…Thank you Terence and thank you Cameron…
Posted by: Sr. Leslie | September 29, 2024 at 01:05 PM
"And now I run, miles a day, for my health; and now I am / a haunted house of scars..."!!!!!--what a picture I drew from this, what a condition to design for us in that passage's second line, !nside and starting to close out this original account--a focussed, vivid, compelling account! The father's stethoscope, "my second ghost"! Thanks for showing us this Terence!
Posted by: Don Berger | September 29, 2024 at 01:25 PM
Leslie---thanks for the comment.
Posted by: Terence Winch | September 29, 2024 at 02:58 PM
Don: thanks for the comment.
Posted by: Terence Winch | September 29, 2024 at 02:59 PM
Love this!
Posted by: susan campbell | September 29, 2024 at 03:36 PM
If I were a teen I'd say AWESOME..Let me say it anyway.
Posted by: Grace Cavalieri | September 29, 2024 at 04:20 PM
Such a moving poem. We all have our ghosts. Love this poem and artwork.
Posted by: Eileen Reich | September 29, 2024 at 04:31 PM
This is beautiful and so moving
Posted by: Jennifer O’Riordan | September 30, 2024 at 12:01 PM