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"The Last Orgasm" [by Nin Andrews]


ORGASM FINAL COVER CMYK (1)

Preface     

If anyone reads this book, they will think they know what kind of person I am. They will, I am certain, imagine me as someone else, someone I can never be—simply because I have written this book of orgasms, and this book will do that to them, and to me. It will make me appear to be the kind of person who is in the position to write about orgasms, who knows all about orgasms: their songs and dances and secret languages. They might go so far as to compare me to Noah Webster, claiming that just as he compiled an entire opus of words, carefully defining and distinguishing each one’s particular origin, pronunciation, spelling, and proper usage, so I have collected an opus of orgasms. And I will have to admit, with surprise, that even if I don’t imagine myself to be that sort of person, even if I don’t consider myself an author anymore, much less an author of an opus of orgasms, even if I no longer converse with orgasms in my daily life, the orgasms continue to seek me out, as orgasms will, as if they need my blessing, as if I and only I can hear their pleas, their wishes, their last breaths.

>>>>

When asked to describe her writing life, Nin Andrews once wrote: "I have always felt a little apologetic about Nin and S my poetry. Because I am not sure that I am the person who writes it. Rather, some other mystery woman sits in front of my computer, typing happily away. This other is bold and loud, and my father, who met her on occasion, described her as unbecoming, uncouth, and socially unacceptable. When she was a girl, he threatened to wash her mouth out with soap and water, as was done in those days. Ivory soap—it made her vomit. But all the soap in the world could not clean or shut her up. It is she who gives voice to orgasms (or is it vice versa?), and who has not a worry in the world about what others think. Me, an inhibited wisp of woman, I can only watch her and sigh."

Ed. note: Nin Andrews's book "The Last Orgasm" (2020) is available from Etruscan Press. The "orgasms" collected here are in the manner of such writers as James Tate, Lydia Davis, Vallejo, Lorca, Henri Michaux, Frank O'Hara, Kafka, and Rilke.


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Cover
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Cover
"Lively and affectionate" Publishers Weekly

Radio

I left it
on when I
left the house
for the pleasure
of coming back
ten hours later
to the greatness
of Teddy Wilson
"After You've Gone"
on the piano
in the corner
of the bedroom
as I enter
in the dark


from New and Selected Poems by David Lehman

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